This is why it’s often a much better idea for bands to go for a ready-made system, so that all you need to do is hook up your mixer and plug it all into the mains power. The subwoofer will need more power than the speakers to deliver the same volume level and the crossover has the task of figuring out which parts of the frequency spectrum are sent to the subwoofer and the speakers. Dividing the power and setting up a good crossover is actually not all that easy. In a system that includes subwoofers, you have two options: to run the satellites (so the speakers) and the subwoofer separately or to link them using a crossover. If you want the bass to have more impact, then adding one or two subwoofers is a must. The Devine Onyx Series and Behringer Eurolive Series are good examples of affordable vocal PA systems and RCF’s more-than-decent ART Series systems are also definitely worth looking at. Most of the time, these systems are active, meaning that they feature a built-in amplifier, and with just a left and active right speaker, you can get pretty far. Vocal systems are also great for rehearsals and will serve an audience of around a hundred people where (usually) just the vocals, maybe a keyboard and an acoustic guitar are amplified. If not all of the instruments in the band actually need extra amplification, then you can get away with using a small vocal PA system. To do this, you need to keep your PA knowledge up to date make smart decisions when buying or hiring a PA system, and make sure you’re always fully prepared for any unforeseen circumstances. It’s moments like these that often force bands to just take matters into their own hands. You’ve carefully honed your set, loaded in and set up in the corner of the pub that booked you, and find yourself being plugged into the DJ mixer – because sound is just sound, right? On top of that, you’re presented with a mixed bag of what must be pre-war microphones and worst of all, no one seems to have thought about getting in a sound engineer or some monitors. Not to worry, in this blog, we will lend a generous helping hand and set you up with the knowledge you need to make all the right decisions.Įvery band has been through it. But as soon as you’ve decided to take the leap, you’re faced with a whole new set of questions. Do you need active or passive speakers? Do you just need a little vocal setup or a complete PA system? What do you need to look for in your perfect mixer, your monitors, your microphones…? And so on. Both were new-ish.If your band is busy laying roots across the country, playing every gig it can, whether in a fully set up venue or grubby backstreet pub, the idea of kitting yourselves out with a good PA system has probably come up already. I don't know if it is the head or the cab either. But I'm getting a bass with active electrics so it should be louder, yes or no? I don't know if it would solve the problem or still distort it. Stack, but it isn't loud enough they say, it distorts if you turn it past a certain point. Now Here is the conundrum their "bassist" is using The A long time ago they told me all I needed was a head because they already have a Cab. Anyway the band's Musicians are Amazing and I might play with them once I get equipment. Basically there is a band death metal band with a tiny bit of Nu Metal, which I don't like, but I don't hate because he's a jazz guitarist so I can't expect 100% brutality when he'd rather groove.
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