Provides feedback on the exposure of the shot using exaggerated and bright colour scales. With Peaking Filters, you get instant feedback on where the shot is focused as the monitor identifies any sharp edges within the frame, helping you keep the shot (and the viewer’s attention) on the action. Adding zoom and focus for more dimensions to your shot makes it almost impossible (without a lot of practise) to get the shot you want on your first take. We’re all accustomed to Autofocus guides when shooting stills, but keeping a scene in focus with video is another task altogether. Peaking Filters provide visual feedback on which parts of the frame are in focus. There are various focus and exposure guides available on some models. Some monitors also include 3.5mm stereo sockets allowing you to connect headphones to monitor the microphone source. They can be larger than the built-in screens so you can review footage without straining your eyes, and often also have a higher resolution, allowing for a truer representation of what’s being shot.Īudio monitoring shows the levels of the sound being recorded, helping you to make sure your shots sound as well as look great. These screens, being self-powered, reduce the load on the camera batteries, giving you more shooting time between charges/changes. The flexibility of mounting is especially important when using stabilisers, jibs, shoulder rigs, or any other arrangement where the camera may be placed at a distance from the operator. They attach to the camera using cables (HDMI, Composite, Component 3G or SDI) and can be mounted either on the camera or wherever is most convenient. Monitors are LCD screens powered either by a built-in battery or, in some cases, the same batteries you use for your camera via adaptor plates (which means one less thing to pack). While they’re fine for a quick check of framing and exposure or to review footage once you can get into the shade, you really have to consider an external monitor or viewfinder to view video clearly and consistently at a resolution and scale where you can be certain what you have captured. These built-in screens drain camera batteries, have relatively low resolutions and are often all but unusable when used in strong ambient light. The very nature of SLR cameras with their moving mirrors means that the built-in viewfinder of a DSLR is useless when capturing video – the mirror is flipped aside to allow the sensor to capture the light – so videographers have to use the onboard LCD to monitor exactly what they are recording. With more and more digital SLR cameras supporting high-definition video, many prosumers as well as professionals are favouring DSLRs over expensive, bulky, heavy and more limited dedicated video cameras.īut using what was initially designed as a replacement for 35mm film cameras is not without drawbacks. Having trouble making focus and framing decisions based on what you see in your DSLR viewfinder or LCD screen? You may need to think about an external version.
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